Bonus commentary was included in Sly Cooper and the Thievius Raccoonus, where several members of Sucker Punch Productions discuss design choices and other information for the current level. The commentary is available after completing the Master Thief Sprint in a level; there is no commentary for levels that have no sprint. The bonus commentary is available only in the PlayStation 2 version of the game.

Tide of TerrorEdit

A Stealthy ApproachEdit

Commentators: Nate Fox and Hokyo Lim

  • This was one of the first designed levels in the game. It was also one of the most altered.
  • Lim was in charge of lighting for the game. For this level, his goal was to give he impression of nighttime without making the level too dark. He mentions that he went back and re-lit this level over 30 times. He also talks about the set-up he used while working on the game; he had his computer along with three different televisions—one bright, one normal, and one dark. The purpose of this was to be able to create a pleasurable viewing experience across all types of screens.

A Cunning DisguiseEdit

Commentators: Bruce Oberg, Rob McDaniel, Hokyo Lim

High Class HeistEdit

Commentators: Rob McDaniel, Suzanne Kaufmann

  • This level was created after "Into the Machine". McDaniel remarks that the developers decided to make this level shorter than that one because it would be "impossible to finish [creating] the game with levels that were that size".
  • The two-hit alarm system was designed to give inexperienced players an easier time.

Into the MachineEdit

Commentators: Rob McDaniel, Dev Madan, Augie Pagan, Karin Yamagiwa, Hokyo Lim, Suzanne Kaufmann

  • Though the final version of this level is large, it is only about one-third of what it originally was.
  • The original concept behind the enemies was to tie them to Alice in Wonderland.
  • Lim mentions that lighting for this level was difficult because of the two different "atmospheres" of the level—cold at the beginning and hot toward the end.
  • This level originally included an octopus whose eyes and teeth could be knocked out by the player.

The Fire Down BelowEdit

Commentators: Rob McDaniel, Chris Heidorn

  • This level was designed around the mechanic of the running wheel.
  • Heidorn, who did the rigging for this level, explains the difficulty of getting the conveyor belt's textures to move with the varying speed of the conveyor belt.

The Gunboat GraveyardEdit

Commentators: Brian Fleming, DJ Stiner, Rob McDaniel

  • This level originally included an invisible laser field that the player would expose by spraying with some substance.

Sunset Snake EyesEdit

A Rocky StartEdit

Commentators: Brian Fleming, Nate Fox, Travis Kotzesbue

  • Fox stated that this level was originally supposed to be a junkyard maze, with a few breakables, but it was found to be unsatisfying to play, so they changed the design.
  • Kotzesbue had pet names for all of the guards in this episode except for the Watch Dog. His pet names became the aliases for the guards as shown in Sly's binocucom.
  • This level was designed to give off a "ghost town vibe"; as the player progressed further into the level they would encounter more images indicative of an abandoned city (like a run-down subway system).
  • This level was an introduction to the blinking floor lasers. Kotzesbue said that the checkerboard floor lasers were designed to look difficult, but that when the player made it through easily, it was supposed to give the impression that Sly truly was a master thief.

Back Alley HeistEdit

Boneyard CasinoEdit

Straight to the TopEdit

Two to TangoEdit

Vicious VoodooEdit

The Dread Swamp PathEdit

Commentators: Nate Fox, Matt Olsen, Andrew Woods

  • Fox and Olsen jokingly remark that Woods bears resemblance to the voodoo rat.
  • Woods mentions that he animated the voodoo rat, and would act out its movements beforehand so that he would have an easier time animating it.
  • The flashlights guards are referred to as "smart guards" among the development staff. The name comes from the fact that they are difficult to evade once alerted.
  • Olsen acted out his lines as Bentley without any visual context. In this level, for example, he voiced the dialogue at the voodoo camp before actually seeing it in-game.

A Grave UndertakingEdit

Commentators: Suzanne Kaufmann, Rob McDaniel, Kelle DeForrest

Descent into DangerEdit

Commentators: Rob McDaniel, Suzanne Kaufmann, Andrew woods, Karin Yamagiwa

The Lair of the BeastEdit

Commentators: Nate Fox, Brian Fleming, Reid Johnson

  • The camera angle at the beginning was intended to make the gate, and whatever was behind it, more imposing.
  • A major design goal for the level was to focus on Sly's rail walk and rail slide.
  • In the original control scheme, the player would have to press a certain sequence of buttons to have Sly grab onto hooks and land on rails. This was changed in the final game, which requires the player to simply jump and press the circle button.

Fire in the SkyEdit

A Perilous AscentEdit

Commentators: Nate Fox, Matt Olsen

Duel by the DragonEdit

Commentators: Rob McDaniel, Augie Pagan, Andrew Woods

Flaming Temple of FlameEdit

Commentators: Rob McDaniel, Darrell Plank

The Unseen FoeEdit

Commentators: Nate Fox, Andrew Woods

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